Wednesday, February 27, 2008

Photographer: Paola Gianturco

Books by this photographer:

1. In Her Hands: Craftswomen Changing the World
All over the world, women in developing economies improve the lives of their families by creating and selling exquisite, indigenous crafts. The Ndebele beaders of South Africa, the weavers of Guatemala, the flower painters of Poland, the dollmakers of Turkey, the mirror embroiderers of India, the batik artists of Indonesia contribute to the future of their cultures.

In Her Hands: Craftswomen Changing the World is a beautifully photographed documentary of ninety women in twelve countries on four continents, revealing their diverse lives and surprisingly universal aspirations. Often driven by the harsh realities of poverty, little education, and even a lack of basic health care, female artisans are motivated by the desire to provide for their children: to dress them properly, to feed them well, and, most of all, to educate them. The need for social contact and a sense of community brings craftswomen together into small groups, which in turn gives rise to new micro-enterprises in developing countries. Many political and social organizations, including the United Nations, provide guidance and economic support, most often in the form of very small, short-term loans; thus cooperatives are created that strengthen and enrich their cultural heritage as well as individual lives and fortunes.

Authors Paola Gianturco and Toby Tuttle have spent five years photographing, interviewing, and writing about craftswomen for this amazing collection. The artisans' individual voices are featured throughout the book as the authors describe their encounters with the craftswomen; amusing, affecting journal entries relate the authors' own experiences and reflections. In Her Hands celebrates a different kind of women¹s movement sisters, grandmothers, and friends join together to create beautiful crafts that contribute to a better life for themselves, their families, and for future generations.

2. Celebrating Women
Twenty-five thousand Swazi virgins dance for the Queen Mother. People who have had near-death experiences in Spain ride in open coffins and thank Santa Marta for their lives. Half-a-million Bolivians pray to Mother Earth and the Virgin Mary for cell phones, sewing machines, televisions, and Tudor houses. Polish girls float wreaths of wildflowers on the river. Berber divorcées invite Moroccan shepherds to marry them. In Thailand, an entire city honors the women who saved their ancestors from invaders. Couples from across the world race over obstacles in Finland's World Wife Carrying Championships. In China, seafaring families ride in boats as a tribute to the Goddess of the Fishermen. And in the United States, women represent each of the fifty states in a competition for the famed title, Miss America.

In Celebrating Women, photographer Paola Gianturco trains her eye on the world's most vibrant festivals that honor women as goddesses, warriors, lovers, healers, and athletes, among many other roles. These moving celebrations, idiosyncratic to their indigenous roots, take the form of parades, parties, competitions, and religious ceremonies. Gianturco spent five years photographing seventeen festivals in fifteen countries across five continents.

Collected for the first time ever in a single edition, Gianturco provides insightful text describing the specific occasions and detailing their historic and cultural significance, culled from her extensive interviews with musicians, dancers, vendors, mask makers, costume designers, journalists, priests, governors, and spectators-not to mention a bona fide princess and king. Exhibition to appear at One Market, Concourse Lobby, San Francisco, October 4-December 17, 2004. This is the first exhibition to be curated by the International Museum of Women, San Francisco. Author tour across the United States, October-November 2004

3. Viva Colores: A Salute to the Indomitable People of Guatemala
The joyful cacophony of color that envelopes visitors to Guatemala may seem misplaced at first. After all, the nation has only recently emerged from a 36-year civil war that destroyed its infrastructure and claimed more than a million lives. But to the authors of ¡Viva Colores!: A Salute to the Indomitable People of Guatemala, it is a vivid expression of a 1,500-year-old spirit that refuses to die.

Photographer Paola Gianturco and writer David Hill offer inspirational profiles of a people who have endured and, indeed, gained strength, thanks to the bounty of their land, their beliefs, traditions, and kinship with one another. People like Luis.

Luis was orphaned as a small child. The aunt and uncle who took him in sent him into the streets to hawk trinkets and cadge pesos from tourists. He quickly figured out that he could do better if he learned the tourists’ language, so he taught himself English. At 18, he became a licensed tour guide. Five years later, he was begging again, a homeless panhandler, brought low by demon rum. Then he found AA, which helped him get sober and gave him a reason to live. He traveled his country, launching AA programs. Today, he’s a doting grandfather and popular tour guide. Luis’ story is but one of many Gianturco and Hill have discovered in their travels through Guatemala. Readers of their book will enjoy—and be inspired by—many more.

4. Women Who Light the Dark
Across the world, local women are helping one another tackle problems that darken their lives. These women lack material resources, but they possess a wealth of a more precious resource: imagination. Imaginations that light the dark. Moroccan women create and produce plays that educate illiterate people about women’s rights. Girls in Zimbabwe compose and perform poems that move communities to fight child rape. In Vietnam, counselors heal survivors of domestic violence with line dancing, art, and games. Brazilian math teachers inspire girls from the favelas to learn math by originating fashion shows.

Sometimes imagination takes the form of innovative strategies. In Nicaragua, women become welders, carpenters and electricians—all supposedly men’s jobs. In Kenya, mothers get wells dug at schools so their daughters can bring water home from class rather than walking seven hours to fetch it. In the US, activists introduce women with disabilities to ropes courses, camping, whitewater rafting, and swimming, empowering them to lead.

Travel with photojournalist Paola Gianturco: climb Annapurna; eat lunch while soldiers carry sandbags to the roof; watch a traditional healer at work; attend a Muslim reception with ambassadors, rabbis, bishops, and cabinet ministers; witness a ceremony that welcomes indigenous babies to the world.

Tuesday, February 26, 2008

Too Bad Obama's Running, Otherwise I'd Vote for DICK GREGORY

Another non-photo related posting but I just had to sing the praises of one of America's most enlightended human beings: Dick Gregory. This MAN speaks the hard truth, brilliantly delivered with raucous humor.

A morning panelist at Tavis Smiley's State of the Black Union this past Saturday in New Orleans, Dick Gregory spoke against calling Bill Clinton the first "black president", the ignorance of judging Obama as "not black enough", how much America stinks and much more.

Most inspiring of all his speeches, Dick Gregory spoke of his love for and America's debt to the Black Woman. He told of how before his marriage his heart was "hard" but after seeing his Black wife raise 8 children and give love to them all - he became a "turtle", soft on the inside, hard on the outside and willing to stick his neck out.

Dick Gregory, I applaud you (LOUDLY) for being one of the few MEN that speak up for and acknowledge the struggles, pain, strength and contributions of Black women.

A man of eloquence and side-splitting humor, check out some of Dick Gregory's quotes:

"I wouldn't mind paying taxes - if I knew they were going to a friendly country."

"I never believed in Santa Claus because I knew no white dude would come into my neighborhood after dark."

Read more here.

And finally, did you know that Dick Gregory ran for President in 1968? Yes he did. Check out some of the key points made in his campaign book titled "Write Me In!"

Oh and judging by the way Dick Gregory spoke of Barack Obama at the State of the Union, I think he's very much a supporter...

Monday, February 25, 2008

Uganda – Peace is coming

Documentary photography by Anna Kåri

Beautiful and inspiring work I found on the Documentography website. Documentography is a collective of photographers and photojournalists in London and Paris.

See more images and read more about this project
.

PHOTO: Children sing and clap in their wrecked class rooms. There is sand on the floor, no walls, no tables or chairs and a blackboard so full of holes its almost impossible to write on. The school is in the district of Pader in North Uganda, an area so heavily hit by the civil war that it has been off limits to anyone but the locals and the Ugandan army. But with peace talks and a decline in rebel activities good things are coming to Pader. Copyright Anna Kåri.

Friday, February 22, 2008

Photo Exhibit: "Lyle Ashton Harris: Blow Up"


The first time I came across Lyle Ashton Harris' work was as an intern at the Jack Tilton Gallery in Soho, NYC back in the '90s. One of the exhibits during my tenure at the gallery was a solo exhibit of Ashton Harris' formal studio portraits. I vividly remember the deep, rich color photographs of himself and his subjects (family and friends?).

Even though I was young, I immediately understood Lyle Ashton Harris' point of challenging the social politics of race, specifically set within the context of gender and sexuality.

As stated by the museum, "Harris approaches photography as a social performance." I admire how as an artist, Lyle courageously explores the issues using his own body and image.

Through May 27, 2008, the Scottsdale Museum of Contemporary Art [SMoCA] in Arizona will present the first museum survey of Ashton Harris' work, spanning almost 20 years.

PHOTO: Lyle Ashton Harris, Billie #25, 2002, monochromatic dye-diffusion transfer print (Polaroid), 24 x 20 inches. Courtesy of the artist and CRG Gallery, New York. © Lyle Ashton Harris.

Thursday, February 21, 2008

George Eastman House's Black History Month Events

Black in America Exhibition
Feb. 16 through June 29, 2008


Eli Reed, a member of the prestigious Magnum Photos, is one of the world's most celebrated African-American photographers. George Eastman House opens in February an exhibition featuring selections from his signature portfolio Black in America, a visual compilation harvested from life-enriching travel, astute observation, and creative photography.

With persistence and dedication, Reed pursued what he describes as a "self-assigned" project to translate artistically his encounters with Black Americans from all walks of life, in communities from across the United States, into the medium of photography. The entire Black in America series was gifted to Eastman House in 2004 to recognize Dr. Alison Nordström's hiring as curator of photographs.

Reed will visit Eastman House in mid-February to photograph Rochester's African-American communities. These images will be added to the Eastman House exhibition.

The Cherokee Trail of Tears

From the Chattanoogan.com:

Duane King, author of The Cherokee Trail of Tears, will speak at the Hunter Museum on Wednesday at 5:30 p.m.

The Cherokee Trail of Tears is an exhibit of photographs that chronicles the historic sites of the journey west. It is based on a book of the same name by photographer David G. Fitzgerald, a widely published photographer, and author Duane King, who is Executive Director of the Southwest Museum of the Autry National Center in Los Angeles. Photographs from the book are on exhibit at the Hunter Museum of American Art until March 30.

Between June 6 and Dec. 5, 1838, more than 15,000 Cherokees in 17 detachments were forcibly removed from their ancestral homeland in the Southern Appalachians to the Indian Territory on a journey that would later become known as the Trail of Tears. On this 850-mile march, 4,000 people died.

Wednesday's program will also include comments from Rep. Zach Wamp and National Parks Superintendent Shawn Benge.

The presentation of the exhibition and related events are made possible through a partnership between the Hunter Museum of American Art and The Friends of Moccasin Bend National Park.

Exhibit sheds new light on Black Panther Party

Show features 'Photographs and the Revolutionary Art of Emory Douglass'

Excerpt from The California Aggie article by Sonia Parecadan:

"Often painted as a subversive and violent organization by the media, the now-defunct Black Panther Party never had the most positive image in the eyes of mainstream society during its active years in the '60s and '70s, said Billy X Jennings, a former Black Panther and curator of the newest Memorial Union Art Gallery exhibit, "The Black Panther Party Revisited." The event is co-sponsored by the African American and African Studies Department in conjunction with Black History Month."

Read the full article.

MEDIA CREDIT: Shane Park

Tuesday, February 19, 2008

The Millennial Generation's Revolution Will Not Be Televised

Just thought I'd share an xcerpt from the Monday, February 18th posting titled "No Country for Old Men" in the Major Conflict blog:

"The authors of the new book “Millennial Makeover,” Morley Winograd and Michael D. Hais, point out that the so-called millennial generation (dating from 1982) is the largest in American history, boomers included, and that roughly 40 percent of it is African-American, Latino, Asian or racially mixed. One in five millennials has an immigrant parent."

Monday, February 18, 2008

Photographer: Clarissa Sligh

Three Exhibitions of Thought-Provoking Photographs
By Clarissa Sligh at Haverford College February 22-April 13


Known for incorporating change, transformation, and complication in her work as a means of fostering social justice, photographer Clarissa Sligh will exhibit her art in three displays at Haverford College, February 22-April 13: “Jake in Transition,” “100 Americans: A Presence of the Past In Philadelphia” and “Masculinities. An opening reception will be held Friday, February 22, from 5:30-7:30 p.m. in Stokes Hall, Rooms 102 and 106. These exhibits are made possible through the John B. Hurford ’60 Humanities Center Leaves of Grass Fund.

100 Americans: A Presence of the Past in Philadelphia will be shown in the Multicultural Center, located in Stokes Hall Room 106. This exhibit was originally commissioned by the Rosenbach Museum and Library. Sligh took digital portraits of citizens of African descent in the streets of Philadelphia and then hung 100 portraits as an introduction to the museum’s exhibit on African-American histories. As she met her subjects and asked them for their participation, she talked about the exhibit and encouraged them to visit it. Her goal was to bridge the gap between African Americans in Philadelphia and one of the city’s leading cultural institutions. The men and women in her photos stand as subjects and spectators, intervening in the museum experience.

The Magill Library Study Gallery will house Masculinities, in which images such as a stay-at-home dad, a burly flower arranger, a “butch” female in repose, and a gun-toting cowgirl challenge gender assumptions and boundaries in order to interrogate them.

Jake in Transition will be featured in the gallery of the Hurford Humanities Center, located in Stokes Room 102. This photo essay chronicles a female-to-male transition and interprets transgender identities through narratives of racial “passing.” As over the course of the year Deborah becomes Jake, the metamorphosis evokes generations of African Americans who passed for white as they sought freedom. Sligh links Jake’s transsexual journey to the historical account of runaway slave couple Ellen and William Craft, who “passed” as two males, master (white) and slave (black) during their escape. She recounts these interwoven stories in a limited edition artist’s book, “Wrongly Bodied Two,” on display as part of the exhibition.

A roundtable discussion on “Jake in Transition” will be held Friday, April 4, from 4:30-6:30 p.m. in Gest Hall Room 101. Participants include Sligh; Israel Burshatin, Barbara Riley Levin Professor of Comparative Literature, Professor of Spanish, and curator of the exhibit; Gayle Salamon, Costen LGBT Postdoctoral Fellow from the Society of Fellows in Liberal Arts at Princeton University; Heidi Schlipphacke, Visiting Associate Professor of German; and William E. Williams, Professor of Fine Arts. They will address issues of photography and transgenderism, the affinities
and differences between racial and sexual “passing,” and the roles of performance and narrative in the fashioning of gendered and racialized bodies.

At age 15, Clarissa Sligh was the lead plaintiff in the 1955 school desegregation case in Virginia. Since that time, she has combined photographs, drawings, text, personal stories and social justice issues to open up conversations on provocative themes. She received the Leeway Foundation Art and Change Grant in 2006, and has been awarded fellowships from Anonymous Was a Woman (2001), the Andrea Frank Foundation (2000),
the National Endowment for the Arts (1988), and the New York Foundation for the Arts on multiple occasions. She also received the Annual Infinity Award from the International Center of Photography in 1995 and the Annual President’s Award from the National Women’s Caucus for Art in 1994. In addition to Wrongly Bodied Two, her publications include Voyage(r): “A Tourist Map to Japan”; “Reading Dick and Jane with Me”; and “What’s Happening to Momma?” Sligh holds a B.A. from the Hampton Institute, a B.F.A. from Howard University, an M.B.A. from the University of Pennsylvania, an M.A. from Texas Women’s University, and an M.F.A. from Howard. She currently teaches at Penn and New York University.

The Multicultural Center and Hurford Humanities Center galleries will be open Monday, Tuesday and Thursday from 1-5 p.m. and Saturday and Sunday from 1-5 p.m. The Magill Library Study Gallery’s hours are Monday-Thursday 8:30 a.m.-midnight; Friday 8:30 a.m.-9 p.m., Saturday 10 a.m.-9 p.m., and Sunday 10 a.m.-midnight. For more information, contact Matthew Seamus Callinan, Campus Exhibitions Coordinator, at
(610) 896-1297 or mcallina@haverford.edu.

Friday, February 15, 2008

James Top: Afrology

Afrology opens on Friday, February 22nd, 2008, 6pm-Midnight. The exhibit debuts seventeen variations of the 1970’s hairstyle, the “Afro”, that illustrate humorous and serious messages about being an African American within the United States and in New York City. As an additional treat, Top will be joined by photographer Jamel Shabazz for this event where both artists will collaborate on one canvas. It will be an exclusive piece and one of the most expensive at the exhibit.

James Top is a fantastic New York City train muralist who has converted his massive art pieces onto canvas for prestigious exhibits all over the world. Today, he is teaching a very controversial graffiti class at Hostos College in the Bronx. Although James is currently the subject of a county-wide debate on teaching “illegal” art, he is successfully pushing forward on executing his first solo exhibit in New York City.

Afrology will also serve as an example to young aspiring artists, proving that graffiti art can be legal, well-received and above all, respected.

Essex Street Gallery
27 1/2 Essex St.
New York, NY 10002

Thursday, February 14, 2008

Photographer: Tom Carter

Last Friday I went to the opening of a student show at ICP. The photographers were students who had taken the shots during a trip to various regions India and the East. There were some beautiful images, but overall I was not impressed. It's not hard to take an aesthetically beautiful shot of women in colorful saris or snow-capped mountains. It is difficult, however, to connect with people who are foreign to you (and you to them) and to establish a connection when you have a camera in their face.

A rising photojournalist currently residing in Beijing, Tom Carter's work has that kind of intimacy I don't often see.

His dedication to capturing the daily life and culture of the people of China is evident in the fact that he's one of the first foreigners to travel to all 33 provinces and autonomous regions.

Before he was a photographer, Tom was headed for a career in politics. He took 2 years off from studying Political Science at Washington D.C.’s American University to work on a Republican presidential campaign during the 1996 U.S. primaries, but eventually became disenchanted with politics.

Here's an excerpt from an ForeignerCN.com interview of Tom Carter by Krokodil Han:

"After disassociating himself with politics, his one-and-a-half-year backpacking trip around Mexico, Central-America and Cuba was aimed at literally “finding himself”. Tom’s father is from Panama and his great-grandfather from Cuba. So throughout his travels he was trying to rediscover his heritage within Latino culture because “that’s half of what I am”.

“It is poor, but colorful; it is beautiful, proud and strong.” But even the Latin America he visited just 8 years ago has already dramatically changed. Under the process of globalization, Tom realized this kind of cultural conflict must be happening in many other countries and regions around the world, and thus he eventually arrived in China.

Since carrying the same patched-up backpack all the way to the P.R.C., Tom has found amazing similarities between indigenous Latino and Chinese cultures. "If you put the Indians of Guatemala and the ethnic minorities from Yunnan together, you might be hard pressed to tell who is from where. Visually, they are almost identical: dark brown skin, colorful hand-stitched clothes with remarkably similar patterns, agrarian-based societies residing primarily in the mountainous regions, and each struggling to subsist while fighting to preserve their ancient heritage."

“I think that strengthened my bond with Chinese culture. It made me realize that we are alike, that we are all related in some way."

Read the full interview here.

View Tom Carter's photography on his personal website.

Wednesday, February 13, 2008

Enrique Chagoya: Borderlandia

Non-photo based artwork but relevant to the subject of DODGE & BURN... I just LOVE the image of a giant Mickey Mouse hand flicking the little girl. Both the visual impact and suggested meaning are HUGE!

Here's info from the press release on Chagoya's latest art show:

The University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA) presents a major, twenty-five-year survey of work by Enrique Chagoya. The exhibition features more than seventy works—paintings, charcoal and pastel drawings, prints, and mixed-media codices (accordion-folded books)—that intermingle icons and cultural references spanning hundreds of years and thousands of miles. Enrique Chagoya: Borderlandia runs February 13 through May 18, 2008.

Chagoya’s subject matter reflects his own personal history and interests: Mexico’s complex past, international politics, various religions, art history, and popular culture. He draws on all of these sources, combining cultural symbols to create scenes of hybrid worlds and scathing—and often humorous—political and social satire. According to the artist, “Humankind is in constant war with itself, perfectly capable of total destruction. This is the raw material for my art.”

Chagoya borrows from the canon of Western art, adapting works by Francisco Goya and Philip Guston (satirizing, respectively, Napoleon’s invasion of Spain and the Nixon administration) to contemporary political contexts (the Reagan and current administrations).

Chagoya's work also places icons from the dominant Western culture within Indigenous or colonial settings, so that Superman faces off with an Aztec god, or cannibals run amok in Monet’s gardens at Giverny. Chagoya has described this world of intermingled influences as a place where “all cultures meet and mix in the richest ways, creating the most fertile ground for the arts ever imagined.”

Born in Mexico City in 1953, Chagoya regularly visited the museums of the capital city and Teotihuacán as a child. These cultural institutions provided him with his first exposure to pre-Columbian culture. He moved to the United States in 1979 and in 1984 he enrolled at the San Francisco Art Institute, where he created the powerful work that begins this mid-career survey exhibition. In 1986 he completed an MA, and in 1987 an MFA, at the University of California, Berkeley. Chagoya has taught printmaking at Stanford University since 1995. His work is included in the collections of many major museums, including the Library of Congress Print Collection and the National Museum of American Art, Washington DC; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; Centro Cultural de Arte Contemporáneo, Mexico City, Mexico; Whitney Museum of American Art; and the Museum of Modern Art, New York; Philadelphia Museum of Art, Philadelphia; The Art Institute of Chicago; a nd the Metropolitan Museum of Art, New York.

Public Programs
Enrique Chagoya: Borderlandia will include a wide array of public programs that highlight the ways in which Chagoya's art engages with a diverse range of disciplines. The programs include an artist's lecture by Chagoya, an interdisciplinary panel on border issues, and a reading and discussion between Chagoya and writer Victor Martinez.

Credit line

Enrique Chagoya: Borderlandia is organized by the Des Moines Art Center. The exhibition is sponsored by the Lannan Foundation and Principal Financial Group Foundation, Inc.; additional support is provided by The Jacqueline & Myron Blank Exhibition Fund. Support for the catalog has been provided by George Adams Gallery, Gallery Paule Anglim, and Stanford University. This exhibition is curated by Patricia Hickson, Des Moines Art Center curator and downtown gallery manager. The presentation at BAM/PFA is coordinated by Lucinda Barnes, chief curator and director of programs and collections.

University of California, Berkeley Art Museum and Pacific Film Archive
2626 Bancroft Way, Berkeley CA 94720
http://bampfa.berkeley.edu

Gallery Hours:
Wednesday to Sunday, 11 to 5.
Closed Monday and Tuesday.

Information:
t. (510) 642-0808
f. (510) 642-4889
TDD: (510) 642-8734

ART: Enrique Chagoya: When Paradise Arrived, 1988; charcoal and pastel on paper; 80 x 80 in.; di Rosa Preserve, Napa, California; photo: Wolfgang Dietze, courtesy of Gallery Paule Anglim; © Enrique Chagoya.

Circa 1890 African American Musician tintype photo


Great posting from the "We Need to Stop" blog on this photo for sale on eBay.

Read it here.

Monday, February 11, 2008

Photo Exhibit: "NSEW" by Bruce Yonemoto

Alexander Gray Associates
526 West 26th Street, #1019, 212-399-2636
February 6 - March 15, 2008
Opening: Wednesday, February 6, 6 - 8PM

Alexander Gray Associates is pleased to present new photo-based works by Los Angeles media artist Bruce Yonemoto. Continuing his ongoing research and interest in Hollywood cinema and its role in shaping cultural identity, Yonemoto presents a group of new photographs that examine American wars, heroism, and ideas of national building.

In the series, NSEW, Yonemoto appropriates American Civil War-era photographic portraiture. Such photographs were precious memories of soldiers, treasured by family members on both sides of the Union, and play an important role in documenting the Civil War. Hollywood's representations of the Civil War shaped Twentieth-Century relationships to race, evident in early cinematic features including D. W. Griffith's landmark 1915 feature film, Birth of a Nation (The Clansman), and the Victor Flemming's 1939 epic, Gone With the Wind. These two approaches to representation—early photography and early Twentieth-Century film—are the fodder for Yonemoto's striking portraits.

Read more at ARTCAL online.

Photo Project: Dulce Pinzón's "Multiracial"

This project consists of a series of 16 color portraits of people of mixed ethnic origin in front of primary color backgrounds. The images challenge the concept of race by highlighting the disparity between the stark natural boundaries between the primary colors, and the ambiguous and artificial, yet commonly accepted boundaries between the different races. This project asks the viewer to question the existence of race in nature.

The aim of the portraits is to strip our idea of race down to its elements. It is in this nakedness that the viewer watches the races literally dissolve in front of their face like so many moth-eaten clothes. The tone is neither confrontational nor ironic, but rather unassuming in its directness.
The portraits have an intimacy which allow the viewer to confront this disparity without sacrificing the humanity of the subjects.

This project was made possible by a grant from the Mexican National Fund for Art and Culture (FONCA)

Also check out the photographer's latest "Superheroes" series.

PHOTO: Copyright, Dulce Pinzón

Friday, February 08, 2008

REQUEST FOR SOLO EXHIBITIONS: Organization of Puerto Rican Artists

The Organization of Puerto Rican Artists is currently seeking artists to fill its 2008-2009 Solo Exhibition Schedule at:

THE “NUYORICAN POETS CAFÉ” (Lower East Side, NYC) for Winter, Spring, Summer and Fall, shows or at “LA TAZA DE ORO” 9Chelsea, NYC) - ongoing bi-monthly exhibitions.

Artists in every media are invited to apply. These spaces get the attention of large crowds.

Please contact us and submit a request for exhibitions at any of these spaces.

Luis Carle - email: luiscarle@aol.com
or
Reyes Melendez - email: reyez@aol.com

Thursday, February 07, 2008

Happy Chinese Lunar New Year!


In honor of today's celebration, I thought I might profile just a few of the many past and present talented Chinese photographers. They all blaze a hot trail for future shutterbugs...

- Don Hong-Oai's photography follows classic Chinese imagery.

- Quentin features some slick, commercial photography.

- For the fine artist in you, peep the work of Rong Rong. Read a book review on his East Village project.

- NYC based photographer Shen Wei uses natural light to its fullest in his "Almost Naked" project.

Also check out this event:

FOTOFEST2008 - Exhibitions

Photography from China, 1934 - 2008
March 7 - April 20, 2008

FOTOFEST2008 focuses on one of the most compelling cultural, political, and economic phenomena of the contemporary world - China and its transformation.

PHOTO: Pine Peak, Copyright © Don Hong-Oai, 2001, All Rights Reserved

Wednesday, February 06, 2008

Photography Master: Roy DeCarava

Excerpt from A Gathering of the Tribes interview by Dread Scott:

One thing I was very interested in as a young artist when I first saw your work was that you showed people that often weren’t depicted at all, and you showed them not as victims. You showed the oppression that they face, but you didn’t show them as victims or helpless or broken, you showed people in full complexity, you know, as people who experience sadness and joy and strength and anger and love and you didn’t shy away from anything in talking about this.

That’s exactly what I was trying to do. With one exception. Ordinarily I am among my friends. I don’t think of them as being Black; they’re friends until somebody else tells you they’re Black. So it’s very difficult for us to discourse, without getting involved in the racial war, and the war affects us even internally. When I photograph people, even when I alluded to their Blackness, and the best part of their heritage I was looking at people as human beings, I was, looking at them at the stage before they were called Black. The color of one’s skin has been used as a device ever since it was discovered, to confuse us, to demean; and when I say us, I’m talking about EVERYBODY. It’s a sickness that touches us all, and I think we have to be careful that we don’t embrace it. My militancy was always curbed by a sense of, ‘Well, yes, it’s important that I know this, but it’s more important that I do this — that I resist.’ So that kept me quite political, in the soldier sense: committed to social change. There isn’t anything that isn’t political.

How does that affect your work?

It makes me feel like embracing the underdog. We were very poor, short of being on the street or without a home; and the funny thing, in those days, there were not any homeless. This country has become similar to India with begging on the street, the Untouchables; we’re not too far from that. What I wanted to do was to give people a reason for being alive, a reason to feel good about themselves. And that’s very deliberate on my part. More deliberate than the question of race. I mean that. Part of our problem today is there’s no hope — I know about that, I see it before my eyes everyday. I’ve lived here 25 years and I’ve watched kids grow up and its devastating. They’re not dead but some are near it; they’re walking zombies, and these are teenagers, young kids. When I work, I want to show them what’s beautiful. I know there are ugly things out there and they know too. What they don’t know is that they can be free, at least within the context of their own minds, and that they can do what they believe in their minds. That’s a form of freedom. I made a choice not to get caught in the meanness; I’m not interested in that. I’m interested in the possibilities.

Your pictures are not just pretty pictures, they help people feel good but you can also sometimes show a very difficult reality.

No, its not about pretty pictures, because it’s not about pretty. It’s about truth. And truth is a many splendored thing — a multi-faceted thing. It doesn’t have to be pretty to be true, but if its true it’s beautiful. Truth is beautiful. And so my whole work is about what amounts to a reverence for life itself.

Read the full interview.

Thanks to photographer Keith Dannemiller for forwarding me this info.

Tuesday, February 05, 2008

Black History Month event features lecture and photo exhibit

Grand Valley State University
1 Campus Dr.
Allendale, MI 49401-9403

The Department of Classics and the Office of Multicultural Affairs and African American Studies will present a lecture, "The Origins of Black Classicism," on Wednesday, February 6, at 4 p.m. in the Cook-DeWitt Center.

The lecture will be presented by Michele Valerie Ronnick, a professor of Classics at Wayne State University, and author of two books about William Sanders Scarborough, each with a forward by Henry Louis Gates, Jr. In conjunction with the lecture will be a photo exhibit, “Twelve Black Classicists,” featuring the images of 12 African American, Greek and Latin scholars who made groundbreaking achievements in education at the end of the Civil War. The photo exhibit is at The Red Wall Gallery on the first floor of Lake Ontario Hall, January 30 through February 28.

"Travels Without Maps" by Raul Gutierrez

Found this photographer's HEADING EAST blog and then clicked my way on to the Nelson Hancock Gallery website where his "Travel Without Maps" photos were featured.

Upon further inspection, Raul Gutierrez's main site Mexican Pictures features even more amazing travel photography.

Also look at his recent blog post about the found-photography website/project soon to be a book, African-American Photographs.

PHOTO: Nomad School © Raul Gutierrez

Monday, February 04, 2008

Photo Book: "I Was Cuba"

I Was Cuba: Treasures from the Ramiro Fernandez Collection by Kevin Kwan

Cuba, an island just 90 miles south of Florida, has been and will be one to watch in the coming years. The countdown is on towards Fidel Castro's death and just last week I read about prime Cuban real estate being bought/sold via an underground market.

This photographic survey of Cuba over 100 years has come out at just the right time.

Whether you're on the Left or Right of the Cuban debate, this book is a reflective look at this country's past and will perhaps offer a glimpse into what it's future could bring.

Here's a description of the book's contents:

"FROM DEBONAIR RACECAR DRIVERS TO FEMALE IMPERSONATORS, MODERNIST ARCHITECTURE TO CHILDREN LIVING IN CAVES, REVOLUTIONARIES TO SHOWGIRLS...I WAS CUBA IS A RIVETING AND HIGHLY ORIGINAL LOOK AT CUBA THROUGH THE RAMIRO FERNÁNDEZ COLLECTION. ASSEMBLED OVER THE PAST THREE DECADES, THE COLLECTION SPANS MORE THAN ONE HUNDRED YEARS OF PHOTOGRAPHY AND IS UNIQUE IN ITS FOCUS ON THE UNUSUAL AND THE VERNACULAR."

Read more about the book and the authors involved on the official website.

Photo Exhibit & Book: 'Histories Are Mirrors" by Tyler Hicks

The Path of Conflict Through Afghanistan and Iraq

Award-winning images of the conflict-filled path that has come to define U.S. national policy today—from September 11th through Afghanistan and into the streets of Iraq with Tyler Hicks, one of America’s greatest talents in photojournalism. Hicks` images are accompanied by insightful essays by two-time Pulitzer-prize winning reporter John F. Burns, as well as long-time foreign correspondent in the Middle East and present Times Rome bureau chief, Ian Fisher.

Opening Reception and booksigning with the artist:
Thursday, February 7, 6-8pm

Umbrage Gallery
111 Front Street, Suite 208
Brooklyn, NY 11201
www.umbragegallery.com
Tel: 212.796.2707
Fax: 212.796.2171
MON - FRI, 12-6pm

PHOTO: Copyright, Tyler Hicks

Photo Exhibit: "Composed Portraits: Defining African American Citizenship"

Museum of the Great Plains in Lawton, Oklahoma

Excerpt from the KWSO article:

"A new exhibit at the Museum of the Great Plains is celebrating Black History Month in Lawton-Fort Sill. "Composed Portraits, Defining African-American Citizenship" features photographs from the early 1900s. The museum Curator believes the photos were taken in Lawton and feature Lawtonians of the time. However, the photos are a mystery - no one knows who those in the pictures really are.

About thirty years ago a Lawton couple found some dusty old boxes in their attic. Upon further inspection, they found many glass plate negatives, and research at the courthouse revealed the owner of the negatives to be Ogle H. McCoy - a Lawton photographer. The photographer no longer lives in Lawton, so there's no way of knowing who the special people honored in the exhibit are.

Many of the photos remain undated and unnamed. But, each picture chosen shows a struggle that has contributed to America's growth as a nation and honors Black History Month."

Read the full article.

Saturday, February 02, 2008

Photo Exhibit: "Torrijos: The Man and the Myth"

Americas Society
Guest Curator: Nan Richardson
January 31 - April 12, 2008

Gallery Hours: Wednesday - Saturday, 12:00 p.m. - 6:00 p.m.

Torrijos: The Man and the Myth is a unique exhibition of never-before-published photographs of former Panamanian leader Omar Torrijos by Graciela Iturbide, one of Mexico's most celebrated photographers. Omar Torrijos was Panama's most famous leader (from 1968 to 1981) and is one of the best-known twentieth century figures throughout Latin America.

The exhibition is not only an homage to Omar Torrijos, it is also the documentation of a period of social change in Panama. Graciela Iturbide photographs a rural Panama and captures indigenous people in small villages across the land. At times we see the clash between urban and rural life, indigenous and modern life, as Iturbide moved alongside General Torrijos from community to community.

Torrijos: The Man and the Myth will be accompanied by a bilingual publication by Umbrage Editions. It will include all the exhibited photographs by Iturbide and never-before-told personal reminiscences by Gabriel García Marquez, Nobel Prize Laureate in Literature who was a friend and confidant of General Torrijos.

In conjunction with the exhibition, Americas Society will host public lectures, conversations with the photographer, and other related cultural and education programs.

PHOTO: Graciela Iturbide, General Torrijos on one of his visits to the countryside in Panama, 1975.

Legend Shoots a Legend: Van Der Zee portrait of the artist Jean-Michel Basquiat

Pioneer African-American photographer James Van Der Zee made a name for himself capturing the people and life on 125th street in Harlem, NYC where in 1916 he opened the Guarantee Photo Studio.

I wanted to share this photo of Basquiat after reading an interview with another famed Black American photographer, Dawoud Bey. This is just one of the shots from Van Der Zee's session with Basquiat. In the interview, Bey mentions that amongst his wide collection of art, his most prized possession is "a Van Der Zee portrait of the artist Jean-Michel Basquiat."

Van Der Zee lived a long life and shot this portrait of Basquiat in 1982, the year before he died at age 96.

Basquiat almost looks bored while the Siamese cat rests peacefully on his lap. I wonder if Basquiat felt honored to be immortalized by a photography legend? I also wonder, if armed with a camera, what Basquiat would've captured...

Friday, February 01, 2008

Snapshots: Black Dallas/ Fort Worth Contemporary Photographers At A Glance

African American Museum in Dallas, Texas

From Friday, January 25 2008 - 10:00am
To Sunday, April 06 2008 - 5:00pm
Every day

This exhibition presents a comprehensive view of Black photographers currently working in the Dallas/ Forth Worth Metroplex. Snapshots exposes a limitless range of black and white, color and digital images with lenses focused on the black experience, city and landscapes, still life, architecture, portraiture and abstract experimentations. The exhibition is dedicated to the memory of past local photographers, Marion Butts, R.C. Hickman, and Calvin Littlejohn.

Permanent Exhibitions at The Reginald F. Lewis Museum of Maryland African American History & Culture

The museum’s Permanent Exhibition will introduce visitors to Maryland’s African American heritage via three galleries and major content areas: THINGS HOLD, LINES CONNECT: African American Families and Communities in Maryland, BUILDING MARYLAND, BUILDING AMERICA: Labor and the Black Experience, and THE STRENGTH OF THE MIND: Black Art and Intellect. Each will tell the story of perseverance, triumph and the celebration of life through the inspiring history and living culture of Maryland’s African Americans.

Get more info at the museum's website.

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